I’m going to break tradition here and pre-empt the crawl to say that because these specials are in no way shape or form intended for younger audiences, talking about them in any meaningful way may contain subject matter not suited for all readers. As Jedi News is still a family site, I’m going to do my very best to keep things PG at worst, but I felt it was my duty to throw up this disclaimer on the off chance something slips by.
Anyway, without further ado…
A long time ago, but somehow in the future…
FAMILY GUY
Episode IV
BLUE HARVEST
It is a time of civil war, and renegade paragraphs floating through space.
There’s cool space battles, and the bad guy is the good guy’s dad, but you don’t find that out ’til the next episode.
And the hot chick is really the sister of the good guy, but they don’t know it, and they kiss. Which is kind of messed up. I mean, what if they had done it instead of just kissed?
Angelina Jolie kissed her brother. Yeah, she did. You know it, I know it, and her dad knows it. That’s why they hardly ever talk anymore. You can run away to Africa, but you can’t run away from the truth.
Oh, by the way, here’s a tip for you: when this is over, go out and rent the movie “Gia.” She’s way naked in it, and makes out with another chick and everything. It’s awesome. I stumbled across it late at night on HBO after I had just got back from hockey and I almost fainted. But I digest…
Princess Leia was coming back from buying space groceries when this happened…
The Star Wars Saga has been capturing imaginations for just shy of 40 years. More than enough time for those who had become enraptured as youngsters to become artists themselves and create references, homages, and even parodies of their beloved films.
Around 2007, two such artists tried their hand with parody/homages on their own shows: Seth McFarlane with Family Guy, and Seth Green with Robot Chicken.
I decided to throw these reviews together for a number of reasons. The first is because they have very similar styles of humor, and share some production staff. Most notably is that Green is the continuing voice of Chris Griffin on Family Guy while McFarlane provides a number of voices for Robot Chicken, and they use this to playfully bash each other in their respective specials. However, the second reason is because, as similar as they are, there are very different approaches at work that I wanted to compare and contrast.
So while the first Robot Chicken special aired several months before the Family Guy one, it’s Family Guy that I want to talk about first.
Family Guy’s trio of hour-long specials: Blue Harvest (taken from Jedi’s production codename), Something Something Something Dark Side, and It’s A Trap were essentially whole plot references to New Hope, Empire Strikes Back, and Return of the Jedi respectively. The framing device in each is that the Griffin’s power suddenly goes out, so patriarch Peter tells everyone the story of Star Wars while they wait in the dark, inserting themselves and those they know as the characters. The fact that this is told from Peter’s perspective, a known idiot and jerk, might be an in-universe was of explaining some of the more extreme opinions in the special (made evident by the opening crawl’s confusion of “Digress” and “Digest,” as well as the salacious nature of the digression itself).
For the most part, you can tell a lot of love went into these specials, down to the fact that many of the space battles look as if the Family Guy team simply painted over the actual scenes from the Star Wars films in order to get that authentic feel. However, I find myself having a hard time getting into them.
Mostly it’s the Family Guy aspects. I was a huge fan of the show when it first premiered in 1998 through its initial cancellation. However, once it was revived the first time it began to slowly go in a direction that I didn’t particularly care for and I lost interest. While I appreciate they work they do, I realize it’s not really for me anymore.
These specials contain both the very best and the very worst of Family Guy’s humor. When they go for the loving homages and obscure references, I’m right there with them and loving every second. But when they start pushing the envelope and going for a dark humor for no particular reason other than just to see what they can get away with, I get turned off real quick. The most egregious examples are, for me, the horrific mistreatment of Meg Griffin (here portraying the Dianoga, the Exogorth, and the Sarlaac), and the disturbing amount of sympathetic focus given to Herbert the old pedophile (here portraying OBI-WAN-CRUDDY-KENOBI).
As far as the Star Wars aspects go, those are also a half-and-half bag. When it’s equal-opportunity and/or done with respect, it’s funny and enjoyable. However, when it’s blatantly turning its nose up at what geekdom feels are Lucas’ less popular decisions (the Ewoks, the Special Editions, and I-III), it frankly feels like a kick in the pants.
I think there’s a big disconnect here as Seth McFarlane paints himself as very much an Original Release IV-VI kind of guy with these specials, and while I don’t want to make a broad generalization, almost all of the problems in fandom have been caused by people who identify as such and take it to an extreme.
Seth Green, on the other hand, is another story. While he clearly prefers IV-VI, he still has a respect for the Saga as a whole even when he may disagree with it, and this is apparent in the Robot Chicken Star Wars Episodes I, II, and III.
Robot Chicken, a stop-motion cartoon that uses action figures as its puppets and relies on more rapid-fire sketches than any kind of over-arching narrative, and has a lot of fun in the Star Wars universe. True, most of the bits involve IV-VI, but there’s plenty of I-III and Saga bits in there as well, and while some border on needlessly critical it’s no worse than what anything else gets in this show.
The specials continue the rapid-fire randomness, with the exceptions of a few brick jokes (i.e. the janitor in the first special who has to clean up the remains of Darth Maul, Mace Windu, and Emperor Palpatine at various points), and the third special’s bookend narrative. Not every bit is a gem, and a few approach the kind of needlessly dark that turned me off from the Family Guy one, but they are much fewer and farther between here and punctuated by a lot of good material.
Many of the original actors reprise their roles at different points in the specials. Most notably is Ahmed Best reprising his role of Jar Jar Binks once per special. And it’s a testament to the writing team that, while horrible things tend to happen around and to him, Jar Jar always comes out on top in one way or another – even when the haterbase seemingly gets its wish, proving he’s more powerful than they can possibly imagine.
The Robot Chicken Specials are ones I would heartily recommend to any and all adult Saga fans. The Family Guy Trilogy, while I’m sincerely glad I saw them the first time, I would probably never watch them again and would hesitate to recommend. It says a lot that while Family Guy was endorsed by 20th Century Fox (who also owns the show and the crawl for Trap jokingly accused of basically blackmailing them into finishing), Robot Chicken had the full support of George Lucas, who even voiced himself in one memorable sketch.
There are exactly three jokes from the Family Guy specials that I love unconditionally:
- 1. Obi-Wan (Herbert) gives Luke (Chris) his father’s lightsaber, and mentions everybody in the neighborhood has one. Cut to a bearded Tatooine denizen using a lightsaber as a bug-zapper. Eventually, it attracts Watto, who hits his head on the saber and then berates the owner for putting up something “so tantalizing.”
- 2. Han (Peter) remarking how hyperspace always looks so weird. Cut to his view from the Falcon’s cockpit where we’ve somehow been transported to the Fourth Doctor’s opening sequence from Doctor Who.
- 3. Chewbacca (Brian) asking why Lando (Mort Goldman) is wearing Han’s clothes. He then addresses the audience to say no, really, in Empire Strikes Back, Lando is wearing Han’s clothes in this scene for some reason and it’s really weird.
With Robot Chicken, I adore most of the jokes, but in the interest of fairness I’ll pick three that stand out:
- 1. Anything with Jar Jar, but especially the “Gecko Insurance” sketch.
- 2. The skit that had previously appeared in Robot Chicken proper involving Palpatine getting a phone call in his office from Vader: “WHAT DO YOU MEAN THEY BLEW UP THE DEATH STAR?! *bleep*…Who’s ‘THEY’?!…What the hell’s an ‘Aluminum Falcon’?!”
- 3. The first appearance of Breckin Meyer’s glorious characterization of Boba Fett, which paints him as all talk and little game, and perhaps a little too obsessed with capturing Han.
As we’ve seen all month, Star Wars has been fodder for spin-offs and parodies since its inception. However, what we’ve also seen is that the absolute best seem to come with the full support of George Lucas, the maker himself. Which is why Disney has to be very careful going forward – a lot more careful then they have been if their first spin-off director is the kind who not only bashes George Lucas but little children as well.
It’s important now more than ever that Disney/Lucasfilm show that they respect the entire Saga going forward, not just the vocal minority. Otherwise, how can you hope to adequately add to it?
I’ll be taking next week off, after which this column will revert to bi-weekly with a Spin-Off of one of my older articles. Hope to see you then. And…
…the Force will be with you. Always.
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