It was fifty years ago today, that cinemagoers were blown away…. THX 1138, the film that launched the career of George Lucas, opened on March 11th, 1971, and io9 take a look back at this dystopian art film.
Robert Duvall leads the cast as the titular character, a man who lives in a repressive society where sexuality and most forms of expression are frowned upon. It’s only when his roommate, LUH 3417 (Maggie McOmie), secretly weans THX off his daily medication that they both begin to see things clearly, fall in love, get pregnant, and desperately try to escape this mysterious, terrifying, inhuman world.
I must admit that summary sounds much more exciting than the movie actually is. Watching THX 1138 50 years after its release is not exactly a rip roarin’ good time. In 1971, Lucas was a filmmaker much more interested in artistry and subtlety than lightsabers and Death Stars. As such, the movie is methodically paced with the only real hints of action packed into the last act. It’s very much a film of its time in that way, made when audiences were a bit less accustomed to the movies Lucas and his friends like Steven Spielberg would begin to popularize later in the decade.
What the slow pacing does, however, is force a viewer to think. Since the story isn’t being shoved down your throat the whole time, there’s lots of time to just explore the frame and consider what’s happening. Why certain choices were made. What it all means. And here’s where Lucas seemed to be complicit in the gag.
You see, almost everything in THX 1138 is white. White clothing, white walls, white people with bald heads, showing off even more whiteness. The lack of color in the film is staggering and the way it works is twofold. Of course, it hammers home how dire this drab, blank, sad world is, but white is also a color that begs for color and creation, for the viewer to fill in the nothingness. George Lucas’s choice to make white so prominent is almost his way to tell the audience, “This film is what you make of it, tell us what you think.” In THX 1138, you have plenty of time to think.
After THX and LUH are separated, THX is put in prison which is, even more so than the world they live in every day, just a white void—there are no doors, no discernible markings, seemingly no up, down, or way out. Just the beds the prisoners sleep in and that’s it. This is why, when THX and SEN 5241 (played by Donald Pleasence) attempt escape, they’re so shocked to find a Black man in the void: a man named SRT (Don Pedro Colley). The problem being SRT doesn’t think he’s a man. He says he’s a hologram.
In fact, he’s a hologram actor. Earlier in the film, we see THX robo-masturbating to a hologram of a naked Black woman, and when he switches the channel, there are holograms of Black men too, some nude and others on some kind of talk show. The implication here being the fairly problematic (both on purpose but also in practice) idea that people of color are mainly in this world for entertainment and pleasure. The fact that SRT actually thinks he’s a hologram suggests he doesn’t know he’s a person at all. So when THX and SEN meet SRT, they’re not just encountering the only “real” Black person in the movie, they’re encountering someone with a viewpoint, albeit it a very upsetting one, that’s different from their own. And it’s through SRT that THX and SEN find hope. He knows the way out of the void.
That whole meeting and everything that follows is a further escalation of Lucas letting the audience fill that blank void he’s created. Up until that point though, he’s already filled his entire world with dystopian riddles for you to unravel. Who started this world? What’s its end game? Where did the people come from? Why is it important they’re all complacent and medicated? Is everyone doing the same job? Lucas gives the audience everything to consider, very little certainty, and nothing is incorrect because he wants you to think what you think and feel what you feel. Heck, he even has a character literally leaving pieces of bread on the ground by mistake. He wants you to follow the breadcrumbs to
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